Real salvation, as it turned out, came from across the Atlantic and from seemingly unlikely saviors. Although James Burton became closely associated with the Paisley Red guitar, neither model lasted long. Very loud. And so the Telecaster struck the final notes of its third decade, put to greater use than ever by U.S. and U.K. guitarists, veterans and newcomers alike. The 1970s began for the Telecaster with its two most acclaimed U.S. masters making some big changes. It also has James’ initials on it. In the wake of the Beatles’ phenomenal success first at home in the U.K. and then worldwide, mainstream rock music became intensely (and at times wildly) guitar-driven as it never had before. At home at Fender, however, all was not well. The Telecaster would become the foundation of the “Bakersfield Sound” pioneered in the later 1950s and popularized in the 1960s by Owens and his band, the Buckaroos, Merle Haggard and the Strangers, and others. And it can still take a beating. In Nashville in July 1956, Johnny Burnette and the Rock and Roll Trio recorded an energetic rock version of 1951 jump blues song “The Train Kept-A-Rollin”; lead guitarist Paul Burlison used his Telecaster to play one of the first recorded instances—if not the first recorded instance—of a contemporary fuzz guitar sound. “It was held at the Municipal Auditorium in Shreveport… there’s so much history in that building, it’s incredible. The 13-year-old James would pay back his parents’ commendable faith and go on to make that very instrument the star of more hit records than perhaps any other guitar in history. I said ‘Oh no, no, no, that’s not for me, man… way too flashy!’, James was nervous that Elvis might think he trying to upstage him with such an outrageous guitar, but was persuaded after a slap-up lunch to take it back to Vegas and give it a try. In the same building at the same time, Syd Barrett used his Telecaster and Esquire models to record Pink Floyd debut album The Piper at the Gates of Dawn. Paul Bigsby may have built some visionary prototypes in the late 1940s, but Leo Fender's Telecaster (initially called the Broadcaster) was the first solidbody electric guitar to see mass production and widespread use. Both models are patterned after mid-century Fender Telecaster guitars played by Burton during his long career with Ricky Nelson, Elvis Presley,(James was hesitant to play the now infamous Fender Telecaster pink paisl… With 60 years as a guitar pro under his belt, James Burton can still adapt to any musical situation, in the studio or on the stage. After nearly two decades of general neglect, quality control problems and budget cuts under CBS, the Fender of the early 1980s had fallen far from its former greatness. I kind of took a little bit of each one and made it one,” muses James. “We were a powerhouse on stage,” he says. With Lover’s Fender Wide Range humbucking pickups successfully in place on the Thinline model, Fender simply stuck one in the neck position on a solid-body Telecaster, added a new pickguard design, upper bout pickup toggle switch and a new four-knob control layout, and there it was—the Telecaster Custom, introduced in 1972. Be the first to know about new products, featured content, exclusive offers and giveaways. There have been many memorable stints with the likes of Emmylou Harris, John Denver and even Elvis Costello in between, but these days his biggest motivating force is the James Burton Foundation. The guitar is often said to be the former, but has two pickups like the latter. The famously blonde trio became the biggest band in the world in the first half of the 1980s, turning out hit after hit and achieving unprecedented visibility thanks to the arrival of MTV, which trumpeted their captivating sound and photogenic looks 24 hours a day. One of the earliest results was the Vintage Reissue series, a high-quality new family that appeared in 1982 and featured a well-built and largely historically accurate ’52 Telecaster model. Punk reared its reactionary spiky-haired head, thumbing its safety-pinned nose at the establishment and at the lumbering blues-based, psychedelic and prog giants who ruled the first half of the 1970s. Shop with confidence. “A good friend of mine, Chuck Widener, who was Vice President at Fender at that time, called me and said ‘James, I’ve got a guitar here with your name on it.’” Mysteriously, Widener wouldn’t send the guitar – he insisted that Burton come and collect it. Burton agreed and left Shreveport for Los Angeles, spending two years at the Nelson household. It is at this point that the modern-era history of the Telecaster begins. To remedy this situation, CBS enlisted former Yamaha executives William “Bill” Schultz as president of Fender and Dan Smith as director of marketing for electric guitars. The infamous producer Phil Spector of ‘Wall Of Sound’ fame was one of Burton’s frequent employers, but almost every contractor in LA would call upon him for work from television and movie soundtracks to supporting artists like Nat King Cole, Merle Haggard and Buck Owens. Sometimes we’d play all night, and just take a nap if we had time. His was the first signature Telecaster model, and today's James Burton Telecaster is as fiery as ever, with three pickups, special switching, gold hardware, gorgeous paisley-flame finishes and more. These included 16-year-olds Keith Richards and George Harrison, 15-year-olds Jeff Beck and James Page, 14-year-olds Eric Clapton and Peter Townshend, 13-year-old schoolmates Roger “Syd” Barrett and David Gilmour, 17-year-old Andy Summers and a great many more. When James started out, he replaced his strings with banjo strings because they didn’t make the strings he wanted for guitar players. After a decade working on Nashville’s Music Row, Cobb decided to head back to Georgia to pen Keep ’Em On They Toes. Though largely unchanged during the 1950s, a few minor tweaks to the Telecaster were implemented in the guitar’s first decade though. Telecaster? But the ever-ubiquitous Telecaster found itself right at home there, too. Nearly every album and single Buck Owens released from late 1963 to early 1968 hit number one on the Billboard country chart. I guess I was probably one of the first to do that… or maybe the first, I don’t know.”. Like Buchanan, Richards bestowed a nickname on this guitar—“Micawber,” after a character in Dickens’ David Copperfield. They couldn’t possibly have. The strings in those days were very stiff and I wanted to bend them, so I experimented with the banjo strings and it worked out perfectly. Back at Fender headquarters, Telecaster experimentation continued apace by institutionalizing the most popular mod players had been making for a few years already—replacing the single-coil neck pickup with a fatter-sounding humbucking pickup. The James Burton Foundation supports music education for those in need through guitar donations and music instruction to schools, hospitals and community service organizations. Elsewhere in London of that era, another band coalesced that would achieve even greater heights; the very loftiest heights, in fact. 1 product rating - 003-6843-000 Fender James Burton Telecaster Red Lace Sensor Strat Style Pickup While Leo Fender and the staff of his small Southern California instrument- and amp-making company knew that they’d built a revolutionary new guitar when they introduced the Telecaster in early 1951, they had no idea of the size and scope of the musical revolution their unusual new invention would start. And when the great Muddy Waters, the man who electrified Delta blues, first visited England in 1958, he shocked audiences who were expecting folksy acoustic sounds by blasting out loud, stinging blues on his Telecaster. The Adventures Of Ozzie And Harriet was an incredibly popular TV show which went on to become the longest-running sitcom in US history (now pipped by The Simpsons). That year also saw the introduction of the American Nashville B-Bender Telecaster, which uses a mechanical device that raises the pitch of the B string by a whole tone (up to C#), producing plaintive, sinuous bends very much like those produced on a pedal steel guitar. “I was doing five or six sessions a day, seven days a week. With U.S. production resumed but not up to full steam by late 1983, Japanese-made Fender guitars—including a’70s-style Squier Telecaster—became available in the United States, too. Embedded content: https://www.youtube.com/embed/-0uV15BjBzg?rel=0. Burton gigged extensively with Presley until the star’s death in August 1977; he’d also found time to record and perform with Emmylou Harris and John Denver. “All you need is one guitar. It took in many influences, including a love of the steel guitar developed from playing with Hayride steel man Sonny Trammell. In this control scheme, there was no switch setting in which both pickups were on at the same time, an arrangement that lasted until the late 1960s. It was God’s given gift, he was my teacher, and I don’t know where else I’d have gotten that kind of training. In July 1964, a London quintet called the Yardbirds appeared on Granada Television program Go Tell it on the Mountain, playing “Louise” and “I Wish You Would.” What was noteworthy about the appearance is that while so many British groups at first played guitars by makers other than Fender, the Yardbirds’ 19-year-old guitarist, Eric Clapton, tore up both songs on a red Telecaster. The Telecaster Thinline debuted in 1968 and became an enduring success. Telecaster.” The second was the eponymous debut album by Led Zeppelin, which Jimmy Page had formed from the ashes of the Yardbirds. On Led Zeppelin, Jimmy Page played a psychedelic-painted Telecaster (given to him by Jeff Beck) on tracks including “Dazed and Confused,” “Good Times Bad Times,” “Communication Breakdown,” “How Many More Times,” “You Shook Me” and more. For dobro James sticks with his fingerpick and flatpick but utilises a contoured Stevens slide with his left hand. He was the first to do so. Nonetheless, interesting Telecaster sounds were in the works. The October 2020 issue of Guitar Magazine is out now! While in California they landed a slot on the NBC television network’s Town Hall Party show, and things suddenly began to snowball for the 16 year-old Burton. It debuted in early 1951 as an innovative new kind of instrument from a small upstart Southern California maker that served the region’s Western swing and dance band guitarists. Save this search. In late 1959, with the decade rapidly closing, quite a few of these English kids were eagerly soaking up every Telecaster-fueled note they could get their hands on. During his years in California, he bought a battered 1961 Custom Telecaster from one of his guitar students; the instrument was heavily modified with a humbucking neck pickup, phase switch, onboard preamp and overdrive unit, maple fingerboard and more. Second, musicians Gene Parsons and Clarence White (the Byrds) invented the Parsons/White String Pull, later known as the B-Bender, and equipped White’s 1956 Telecaster with it (Fender would release its own B-Bender-equipped Telecaster 33 years later). Clapton recommended his friend Jimmy Page as a replacement, but Page was reluctant to give up his lucrative session career and in turn suggested his friend Jeff Beck, who then joined the group. Burton particularly enjoyed playing for Glen Campbell and Merle Haggard, as he got to showcase his love of the dobro. However, players were quick to discover that the Telecaster’s three-position switch could be precariously balanced in the two “in-between” switch positions to deliver in-phase or out-of-phase sounds (depending on the polarity of the pickups) in which both pickups were on (an unintentional design feature exploited by players to even greater extent on the Stratocaster). Embedded content: https://www.youtube.com/embed/xfBF4rr7FiA?rel=0. It is James' mission through the Foundation to give children the lifelong gift of music to pass on for generations. I love it!’ So that was a big relief.”, James Burton performs on stage with Dutch group Mufkin Tas. After a year on the Hayride, Burton’s distinctive style was fully formed. In July 1957, Dale Hawkins scored what was probably the first Telecaster-fueled U.S. Top 40 hit with “Suzie Q,” a song built on a catchy guitar lick by his band’s young guitarist, James Burton. The new band, the Clash, made its live debut three months later, opening for—as fate would have it—the Sex Pistols at the Black Swan in Sheffield, England, on July 4, 1976. Storylines were specially written to feature Ricky’s band, so James was now a TV star and would be the guitar player on all of Ricky’s many hits right up until 1966. Hynde named the band the Pretenders, and they recorded their first single, a cover of the Kinks’ “Stop Your Sobbing,” later that year. James Burton Telecaster. Several of its features were carried over from the Hawaiian steel guitars Fender had already been making since 1945, such as the “ashtray” bridge cover, knurled chrome knobs, Kluson tuners and combination of bridge and bridge pickup in one integral unit. I can’t remember all of them, but I know I did I’m A Believer and Last Train To Clarksville – I think me and Gerry McGee played on that.” McGee was famed for his clean guitar tones, and went on to join the Ventures. The Telecaster also made great inroads in the 1950s as a must-have studio session instrument. The Telecaster had both the style and substance; the form and function to endure indefinitely as both a valuable tool and a potent symbol. Hirsute humbuckers modelled on the PAFs in Pearly Gates, the ZZ Top man’s legendary 1959 Les Paul, Billy Corgan and company return with escalation the name of the game, but despite the classic line-up, this is not 1995…. “It was wonderful,” remembers James. First, Fender (sold by Leo Fender in 1965 and now under the corporate banner of CBS) reconfigured the guitar’s controls so that the three-way switch delivered neck pickup/both pickups/bridge pickup operation. His was the first signature Telecaster model, and today’s James Burton Telecaster is as fiery as ever, with three pickups, special switching, gold hardware, gorgeous paisley-flame finishes and more. Embedded content: https://www.youtube.com/embed/rf2e4QPPxJY?rel=0. The color of the pickguard was changed from black to white in 1954; its pickup selector switch tip was changed from the original round type to the “top hat” type in 1955. James Burton Mentions Dan Smith at Fender as his collaborator in the designing of the JB Signature Telecaster that truly gives Guitar Player's of every style an extremely versatile (not to mention absolutely beautiful) instrument that can help bring your playing to the next level. 1984, however, was also the year that CBS decided to sell Fender. ", Embedded content: https://www.youtube.com/embed/mq7y2xjoav0?rel=0, And in what is widely regarded as the greatest rock ‘n’ roll film ever made, 1956’s The Girl Can’t Help It, the Telecaster (in its single-pickup Esquire version) puts in a pair of appearances. One of the earliest “mods” for expanding Telecaster tones dates back to the ’60s and James Burton, who discovered the out-of-phase glories of his stock-wired, late-’50s Telecaster by accident while backing up Ricky Nelson. Finally, any survey of the Telecaster in 1971 isn’t complete without noting that early in the year, Jimmy Page used his ’58 model to record the solo on quintessential Led Zeppelin epic “Stairway to Heaven” — one of his most famous guitar solos, if not his most famous solo. After this change, putting the selector switch in the rear (bridge) position delivered the bridge pickup alone, with the rear knob acting as a proper tone control. Fender guitars made their way to England in ever-greater numbers and began making appearances of great portent in the hands of those kids—now young men—who so rabidly devoured the U.S. sounds of the 1950s. The Who had become known not only for their visceral sound, but also for their violent stage act, which by late 1965 regularly culminated in Townshend smashing his guitar at the end of set-closing anthem “My Generation.” Smashing up the delicate Rickenbacker guitars Towshend was known for playing had become prohibitively expensive, however, and in a money-saving move he began switching to Telecasters for “My Generation,” as they were less expensive and certainly easier to repair. Artistically, the Telecaster served as the main musical voice of two monumental debut albums recorded in 1968, both by U.K. artists. Commemorating the band's win of the MoPOP Founders Award. James Edward Burton (born August 21, 1939, in Dubberly, Louisiana) is an American guitarist.A member of the Rock and Roll Hall of Fame since 2001 (his induction speech was given by longtime fan Keith Richards), Burton has also been recognized by the Rockabilly Hall of Fame and the Musicians Hall of Fame and Museum.Critic Mark Demming writes that "Burton has a well-deserved reputation as … Schultz and a group of investors bought Fender in a sale that was completed in March 1985, ending 20 years of unpopular CBS rule. All in all, the Telecaster was a great success story in the decade of its birth. This time he was pleased to oblige, and stayed with the show until Elvis’s death in 1977. , Twang and Snap pick out on the Super blues album with Bo Diddley and little Walter to of. In mid-decade was in the early 60s, Eric Clapton soon established himself as one of the Telecaster made... Je 1996. godine major artistic and technical developments were in store for changes! 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